A Critical Colloquy about Pauline Kael on Her Centennial

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the cinema Vol. XLIV, No. 3

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David Hare Says Let’s Move Art-House into the Mainstream Film, TV, Streaming, and the Transformation of Narrative Bi Gan Visualizes Dream and Memory in Kaili Blues and Long Day’s Journey Into Night Remembering Argentina’s “Disappeared” Filmmaker Raymundo Gleyzer Benedikt Erlingsson Lets Loose His Woman at War Uncovering the True Story of France’s Continental Films During the German Occupation

Birds of Passage