Future PLC Quay House, The Ambury, Bath BA1 1UA
Editor Si Truss, simon.truss@futurenet.com Reviews Editor/Online Content Manager Simon Arblaster, simon.arblaster@futurenet.com Managing Editor Kate Puttick, kate.puttick@futurenet.com Art Editor Phil Cheesbrough, philip.cheesbrough@futurenet.com
BIG THANKS TO… Jono Buchanan, Danny Turner, Hamish Mackintosh, Tim Cant, Roy Spencer, Ben Wilson, Bruce Aisher, Jon Musgrave, Dan ‘JD73’ Goldman, James Russell, Joe Rossitter, Phil Wise, Adam Gasson, Will Ireland, Kevin Lake, Mark Gyver, Adam Lee, Catherine Hood, Tom Jones, Oli Bell, Olly Curtis, Robbie Stamp
ADVERTISING For Ad enquiries please contact: Steve Hymas, steve.hymas@futurenet.com MARKETING Direct Marketing Executive: Will Hardy PRODUCTION & DISTRIBUTION Production Controller: Fran Twentyman Production Manager: Mark Constance Printed in the UK by: William Gibbons & Sons Ltd on behalf of Future Distributed in the UK by: Marketforce (UK), 2nd Floor, 5 Churchill Place, Canary Wharf, London, E14 5HU Tel: +44 (0) 203 787 9001 CIRCULATION Head of Newstrade: Tim Mathers SUBSCRIPTIONS UK reader order line & enquiries: 0844 848 2852 Overseas reader order line & enquiries: +44 (0)1604 251045 Online enquiries: www.myfavouritemagazines.co.uk Email: futuremusic@myfavouritemagazines.co.uk LICENSING International Licensing Director: Matt Ellis, matt.ellis@futurenet.com Tel: +44 (0)1225 442244 MANAGEMENT MD Games, Music and Entertainment: Julian March Group Editor-In-Chief: Daniel Griffiths Head of Art & Design: Rodney Dive Group Art Editor: Graham Dalzell
Future plc is a public company quoted on the London Stock Exchange (symbol: FUTR) www.futureplc.com
Chief executive Zillah Byng-Thorne Non-executive chairman Peter Allen Chief financial officer Penny Ladkin-Brand
Tel +44 (0)1225 442 244
We are committed to only using magazine paper which is derived from responsibly managed, certified forestry and chlorine-free manufacture. The paper in this magazine was sourced and produced from sustainable managed forests, conforming to strict environmental and socioeconomic standards. The manufacturing paper mill holds full FSC (Forest Stewardship Council) certification and accreditation All contents © 2018 Future Publishing Limited or published under licence. All rights reserved. No part of this magazine may be used, stored, transmitted or reproduced in any way without the prior written permission of the publisher. Future Publishing Limited (company number 2008885) is registered in England and Wales. Registered office: Quay House, The Ambury, Bath BA1 1UA. All information contained in this publication is for information only and is, as far as we are aware, correct at the time of going to press. Future cannot accept any responsibility for errors or inaccuracies in such information. You are advised to contact manufacturers and retailers directly with regard to the price of products/services referred to in this publication. Apps and websites mentioned in this publication are not under our control. We are not responsible for their contents or any other changes or updates to them. This magazine is fully independent and not affiliated in any way with the companies mentioned herein. If you submit material to us, you warrant that you own the material and/or have the necessary rights/ permissions to supply the material and you automatically grant Future and its licensees a licence to publish your submission in whole or in part in any/all issues and/or editions of publications, in any format published worldwide and on associated websites, social media channels and associated products. Any material you submit is sent at your own risk and, although every care is taken, neither Future nor its employees, agents, subcontractors or licensees shall be liable for loss or damage. We assume all unsolicited material is for publication unless otherwise stated, and reserve the right to edit, amend, adapt all submissions.
FM | WELCOME
Finding Your Voice Working with vocals can be tricky. More often than not, when there’s a vocal present in a track it automatically becomes the defining part of the composition. Whether it’s a short sampled hook, a full recorded lead vocal or a remix acapella, the quality, clarity and tone of the vocal line can leave a lasting impression on the listener and define how they hear your track.
While, naturally, the source material plays a major role, how you process and mix vocals can totally transform the end result. In this month’s cover feature, we’re digging into the multitude of ways we can work with vocals to bring out the best in them. Whether you’re looking to refine a recorded vocal, flip a short sample or enhance an acapella, we’ve got ideas and tips to help you along. Head to p28 to get started, and don’t forget to grab the accompanying videos and files from filesilo.co.uk/futuremusic
Si Truss, Editor simon.truss@futurenet.com
5