JANUARY | FEBRUARY 2013 ISSUE 240

06

40

ANGUS

: TESSA

PHOTOS

ARTS

ISUAL

VCOURTESY ALL

IMAG E

| LURE

IERRY BAL

: TH

PHOTO

| WRAPPER

SAYER

IL

PH

©

IMAG E

IN

| BALDW

IÈRE

DELADERR

IS

FRANÇO

©

IMAG E

ID

| RE

IES

GALLER

ILL

GID

DAV

,

COURTESY BARNABY BARFORD

IMAG E

COVER

Clockwise from above: Black Vessel, Boulder Shouting III, Gordon Baldwin, 2011 (detail); Wrapper (detail), Jacqueline Poncelet, 2012;

cutout

18

Lure 13 (detail), Kate MccGwire; Nick Sharratt, painted limewood, Guy Reid. Cover: Avarice (detail), Barnaby Barford

48

REGULARS

FEATURES

03 EDITORIAL

Why craft needs promotion not protection

05 FRONT

The Jerwood Makers Open shortlist; Craft Skills Awards launched; The New Craftsmen; Design Days Dubai previewed; Guy Reid; your six-month calendar; Formafantasma at Libby Sellers

25 OPINION

Robin Wood, chair of the Heritage Crafts Association, explains the importance of celebrating a living heritage

26 DESIGN DOCTOR

If you’ve got a problem, Patricia van den Akker will solve it

28 TALENT SPOT:

WORKING ON A KNIFE EDGE Teleri Lloyd-Jones meets Ben Edmonds

53 REVIEWS

Jewellery in London; Julian Stair on Michael Cardew; a history of knitting; Hollywood Fashion; Christie Brown meets Freud; Calligraphy Today; the V&A’s new furniture gallery

63 CRAFTS GUIDE

Comprehensive listing of UK galleries

75 BACK

Why ice gets a bad rap; Best of British: John Jones; Rosy Greenlees; Jim Partridge and Liz Walmsley on the stuff that inspires them; Tanya Harrod on Fixperts

32 ORIGINAL SIN

Barnaby Barford has forsaken the figurines that made him famous and is instead working on a series of mirrors inspired by the seven deadly sins. But, says Grant Gibson, he hasn’t lost satirical his edge

38 GOODBYE TO ALL THAT

The critic, academic and author Glenn Adamson explains why he has decided to bid craft a fond farewell

40 A BIRD IN THE HAND

Artist Kate MccGwire creates her sculptures from feathers. It might sound homespun, yet the results are both spectacular and ever so slightly unsettling. Teleri Lloyd-Jones explains

48 THAT WAS THEN THIS IS NOW

Jacqueline Poncelet’s Wrapper, recently unveiled on London’s Edgware Road, is yet another example of an artist working up in scale, reports Corinne Julius

‘I can make an interesting sculpture out of figurines. I can do it. It has lost its challenge’ BARNABY BARFORD, P.32

CRAFTS JANUARY | FEBRUARY 2013 1